Electronic Theatre Controls Emphasis Lighting Control System Dokumentacja Pobierz pdf (Strona 122)

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108 Chapter 8 Track

Blackout cues and tracking

Sometimes you may add a channel to a sequence of cues that have not

used that channel yet. For example, you may want to add a channel to all

cues in a scene. To do this, add the channel to the first cue in the

sequence and use Track to track the change through the remaining cues.

However, the last cue in sequence may be a blackout cue. When you track

the channel, the new channel tracks until it runs into a different recorded

level. To ensure that channels are not tracked through a blackout cue,

make the blackout cue an allfade cue. An allfade cue assigns a level of

zero to any unused channels. This blocks any potential tracks. An allfade

cue also clears the opposite fader.

Figure 6 displays what happens when we track channel 5 through the

sequence when cue 5 is a regular crossfade cue.

Chan 1 Chan 2 Chan 3 Chan 4 Chan 5

Cue 1 50 FF

Cue 1.1 50 50 FF

Cue 2 50 FF 00 FF

Cue 3 50 FF FF FF

Cue 4 25 FF FF FF FF

Cue 5 00 00 00 00 FF

Figure 6

Channel 5 tracks through cue 5 and ruins the blackout cue.

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