Electronic Theatre Controls Emphasis Lighting Control System Instrukcja Użytkownika Pobierz pdf (Strona 122)

112 Emphasis Console v2.0.0 User Manual

Cues

Cues are one of the fundamental playback methods in your Emphasis Control System. A

cue is a recorded stage look that exists within a structure known as a cue list. Cues can be

played back individually or in sequential order in the A/B and C/D fader pairs (see A/B and

C/D Fader Pairs, page 170). Cues contain fade times, and can contain wait and follow

instructions (see Time Functions, page 125), links to other cues, macros or submasters

(see Link Functions, page 113), and can be labeled (see Label, page 130).

Emphasis has a 9,999 cue capacity. You can number cues from 0.1 - 999.9. Cues can be

used as groups (see Using Cues as Groups, page 116), and are the basic unit for

subroutines (see Subroutines, page 143).

Cue Types

In general, when you play back cues, you are simply fading one stage look into another.

There are six cue types that can affect how cues play back, or how cues are edited.

Crossfade

In a crossfade cue, channels that are moving to a higher level will fade in the upfade time,

and channels that are moving to a lower level will fade in the downfade time. Channels may

be tracked through crossfade cues.

Allfade

Allfade cues force all unused channels to move to zero, and create move instructions for all

tracking channels in the cue. This cue type will stop a track record from changing levels in

subsequent cues (see Tracking, page 114). This is a useful cue type to use at the end of

scenes or acts. An allfade cue also clears the other fader pair when played back.

Block

A block cue forces all LTP channels to fade to completion in background cue timing and

then runs in a physical fader like any other cue. Use block cues to end effects running in

the background, without having to use the [S3 - Background Overrides] command.

Effect

Instead of simply fading from one stage look to another, an effect cue runs a dynamic series

of steps at a given rate. Each step contains channels or groups at levels. An example of a

simple effect is a chase, where lights turn on and off in sequence. Complex effects can be

made as well, to emulate lightning or fire or reflections off water, for example. Effects can

also be used with moving lights. See Stage Effects, page 117 for information on creating

effect cues.

Dynamic Effect

See Create a simple dynamic effect:, page 100.

Subroutine

Subroutine cues are like effects, but instead of using channels and groups as the base

element, subroutines use cues. In a sense, a subroutine is a cue list of its own, that can run

as an automated loop, or can wait for a manual go for each step. Subroutines are very

useful for creating complex moving light effects. Subroutine cues are slightly different than

Subroutines-on-Submasters, described in Subroutines on Submasters (Subs-on-Subs),

page 179.

1 2 ... 117 118 119 120 121 122 123 124 125 126 127 ... 317 318

Komentarze do niniejszej Instrukcji

Brak uwag

Electronic Theatre Controls Emphasis Lighting Control System Instrukcja Użytkownika Strona 122

Komentarze do niniejszej Instrukcji

Powiązane produkty i podręczniki dla Drukuj i skanuj Electronic Theatre Controls Emphasis Lighting Control System